This video is for beginners interested in exploring modular synthesis. It explains what a modular synth is, different types of modules, and how to create a first patch. I try to go step by step and use Pressure Points and Brains as a sequencer to run the Dixie ii+ oscillator, Peaks for envelopes, and the Echophon delay.
Xeno-Canto is a website dedicated to sharing bird sounds from all over the world. It's a collection of recordings but also a collaborative project. Research scientists, birders, or simply people curious about sounds can listen, download, and explore the bird sound recordings in the collection. Very useful as inspiration for natural melodies and for understanding this work.
Music exists in the ear of the listener, not on the page of the score, nor in the world of pure sound effects. I identify four developments that have led to the place where we now are. Thanks to these developments a new kind of music has emerged which is less music than a reflection upon music, or perhaps even a reflection on the lack of music, or on the impossibility of music in the age in which we live.
- The radical attack on tonality by Theodor Adorno
- The invention of serialism
- The move towards total serialization
- The replacement of tones by sounds, and musical by acoustical hearing
If avant-garde music is ever to step down from the world of concepts into the world of tones, then it will be because the audience exists in whose ears this transition can occur. Take away the audience and you take away the concrete reality of music as an art. You turn music into an arcane exercise in the acoustical laboratory, in which groups of patient instrumentalists pump out sounds according to formulae which mean nothing, since meaning lies in the ears that have fled from the scene.
Taken from The Music of the Future, a lecture delivered in October 2016 at the prestigious Donaueschingen Festival.
Roger Scruton is the author of The Aesthetics of Music, the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples.
Schillinger, a great underrated music theorist and teacher, brought in USA the visionary 'jazzy' language of Scriabin, the greatest musical genius after Beethoven. George Gershwin spent four years (1932–1936) studying with Schillinger.
Excerpt of Julian Bream playing for Stravinsky
From: VAI DVD 4290 Stravinsky
The definitive profile of the great Russian composer/conductor, Igor Stravinsky (1882-1971). Over 80 years old at the time of filming in 1965, Stravinsky was full of the joy of life, with an alert memory for people and events in music, literature, and art. Viewers will be treated to Stravinsky reminiscing about his remarkable life, travelling with his wife aboard ship en route to Hamburg and conducting the CBC Symphony Orchestra and the Festival Singers of Toronto in a recording of his Symphony of Psalms. A rare glimpse of the master and his extraordinary life, throughout which moved such legendary figures as Rimsky-Korsakov, Picasso, Rodin, Debussy, and Dylan Thomas.